Angel's Dream |
the famous first words |
Angel's Dream was record live direct to a two-track digital DAT recorder in the Aquilante Studio (Rio de Janeiro), my personal studio. Except for the two tracks where my brother Beto Frega plays piano & synth, I've played all the instruments by myself and recorded to a computer (PC 486 and Pentium) using the Cakewalk Pro Sequencer software. After that, I added the guitars with no editions or overdubs while recording to the DAT recorder. The reason of all this was to bring you the actual live guitar sound with no tricks (what you heard is what was played). This kind of live recording is not commom, but I think that it is very boring to listen to an album recorded enterily with computers. In my CD you can listen to mistakes. |
There is no problem with mistakes. People fail and the major problem is that many don't recognize that. I'm not a perfect man - I know that - and I love real humans who knows that nobody is perfect. The songs in the album tells stories about people, love and life. The use of synthesizers make it possible to work like an orchestra - with violins, brass and percussion - or like a rock band - drums, bass and keyboards. You could listen to a minueto played by synthesized guitar or to an orchestral work for a children's ballet called "The Cicada and The Ant Suite" |
All songs are originals (registered by BMG Arabella) except the first part of the minueto (writen by Roberto de Viseo) and a free arranger made for "Malagueña de Lecuona". I used many differents guitars but the main axe is one built specially for me and it is connected to a synthesizer. This kind of set up made it possible to play up to twelve synthesized sound plus the guitar sound at once. Of course it is a bit hard to discover wich synthesized sound was played live, but if you listen closer you can discover the true one. Regarding the guitar's sound you have no choice but to say: it's live. I think Progressive Music is something different from the Progressive Rock of the 70's. For me (and some friends) it is not
only mix classic music and rock. It is not only a mix. Progressive Music must came from the heart. Must go directly to the listener's heart. There's no other way. I did
that and I am very pleased to bring to you the results of this work.It was made from
my heart to your heart. |
making off | |
The bureau (MCK) who did the
master, fail to check one song, and "burn" its begining. There
is also a problem with the covers' colors. The final result wasn't like
mine. In the original cover, the colors are more darken and the cover's
photo more like a painting. I wrote this diary to remember all
dates for my attorney. After all I thought that if you read what happens,
and if you are thinking about release your own CD, for shure will be
something you might use. Send me a letter if you need any help. |
29 July |
Angel's Dream at Rio ExpoCD!!!! We are on 3 stands: "On Stage", "Sonhos & Sons" (Marcus Viana) and "Central dos Independentes". |
July |
The CDs are on the STORES!!!! |
July |
The phone rings. I pick up the handler and a voice says:
"The
CDs are here!!!" |
July |
Good news from Mr.Taciano: the CDs were shipped from SONOPRES and will be here in Rio in 16/july or something near that. I hope everything runs without problem. I will tell these news to Mr.Pasquale (from PennyLane). |
July |
Things are not too well! No news from the actual factory (called SONOPRES)! |
June |
Surprise!! I receive a CDR from MCK. When I phone to Mr.Taciano he told me that a completely new copy of the master was send to the factory. The great news we are waiting: 10 to 15 days for the new re-mastered CD Angels Dream come out. Let's begin the count down. |
June |
I receive the new cover's proofs!! Now we have a "Cover Art" Mr.Taciano and
Mr.Nataniel did a great job. I sent an EMail to them and I hope they phone me tomorrow. |
June |
The MCK's director (Mr.Taciano) is doing everything to do a good job. We spoke by phone many times these days. The proofs they send me, were poor because we use diferent monitors and printers. Seeing my own printing copys of the cover's art revealed that. They did a exactly copy of my work. The pictures (you can see here) not display in the same way in their monitors. They use "balanced" professional monitors (I don't know if this term are correct in English) and I use a commom one (Samsung SyncMaster 3Ne). So I am waiting for the new proofs based on my colors. (Next time I will send a print copy with the disks.) |
June |
Today is our first aniversary (look June/03/96) |
May |
I received a poor proof copy of the Cover. I decided to send MCK my owm copy, printed at home (with a Canon BJC600) with the colors that I think are the correct. I sent one copy to PROCON too. Now they will see what I saw. |
May |
The guys at MCK phone me again. They are getting some trouble with the photos (This is not
my problem). The work will be done today and they will send me a copy to aprove (or not). Let's wait a little more. |
May |
Second step: (nothing). Surprise!! The MCK director phone me. He apologized for the mistakes and asked me to send the CDR (reference CD) and the disks with the art, they will redo all the work (good news) I told him that all material were with them, so he will search inside MCK for that. Early afternoom they send me a fax with the excuses. I need to phone to PROCON to thanks Mara, the woman from PROCON. |
May |
First step: I went to PROCON (Consumers Protection) and told what hapenned with the CD's. The woman there pick up the phone and imediatly dial to MCK, spoke with them and send the paper with my complaint. She told me to wait a week. So I will do that. |
April |
An advise for you: NEVER send your work to MCK!! It fails with the contract and the promisses. I will soon begining a judicial proccess against MCK if the guys there don't give me the actual position about the new version of "Angel's Dream". |
April |
I was declaring "war" to MCK, when a guy there quickly got a white flag and told me to wait for some news on april/7. We need to wait again (and again and again)! |
March |
A limited version of the CD are in the STORES, only 5 copys in each one. Another version will soon be released. (Everybody is waiting for this, nobody more than myself!!) |
March |
I am waiting the guys from MCK to pick up the wrongs CD's and correct the errors. We need to wait again (and again)! |
Some months |
Everything is wrong (track 14 have an error and the colors' cover too) and we need to do it again. Me and MCK begin a little war because the CD could not be release before christmas - my child (insides me) would like to cry. |
August/13/1996 |
I phone MCK and send back the CDR with the DAT! We need to wait again! |
August |
MCK send me the CDR (a demo of the master CD)! I listen careful and find an error! The Paranoia's
Blues (track 14) beginnig is wrong! |
July |
MCK send me the cover's art to the last review. Two mistakes were found. Nothing to worry about, but my telephone line was out and I had some problems to contact MCK. |
July |
Ricardo Calafate help me again inserting the first song without disturbing the others songs in the tape (Great job man!!). We also reviwed all songs. Everything ok. I send the tape back to MCK. |
July |
First Problem: MCK send me back the DAT Tape. There was a error (a Drop Out) in the 1st.song. I need to re-compile this song from the master tape. |
June |
MCK (the factory) phone me. They received the material (DAT Tape and Disk). Now we begin to count the days: 12 days for the test copy and 45 days for the complete work. |
June |
Box send to the factory in São Paulo. Now we have to wait. |
June |
I did all the changes suggest by Augusto (the guy at Detroit) and copied the files to disk. Dat tape and disk packed together. Everything all right to mail tomorrow. |
June |
Good news! The text arrived at my EMail box. |
June |
I'm nervous because the guy in Detroit dont' send me back the text and the factory is still waiting for the cover's art (with text) and the master tape. |
June |
I write an EMail with the cover text to a friend in Detroit to do the grammatic revision. |
June |
I send the the payment's first part to the factory. |
the songs commented | |
My songs tell stories about people, life and feelings and I hope you enjoy this work, since this record is for you. |
1. Overdose |
is a song to a lovely friend who is a little "over" to my taste, but a great friend at all. |
2. Dick Tracy |
was played through modem with my brother Beto Frega on keyboards at Curitiba. |
3. Amanhecer |
Day after day, night after night, this is life... Is this "our" life? (I would like to thank Mr.Peter Gabriel for the idea of recording the first version of this song before dinner). |
4. 702 |
This song was written to a little girl who lives in the house in front of mine and stays all day at the window, on the phone speaking with her boyfriend. |
5. Vincent - O Abutre |
was written for Mr.Vincent Price and the comedian Jerry Lewis. This was a first-and-only-one take. |
6. Parkiño |
a song to my little angel, the first idea was to make a happy song, but the boy went sick and my happiness went away. I played this song many times trying to understand why children get sick. |
7. Harlekin (Malagueña de Lecuona) |
is a fresh and free interpretation of Malagueña. I wrote this song as a tribute to some latin musicians and my own origins. You can hear a citation of Chick Corea's LaFiesta; "tango strings" in memorian to the great Astor Piazzola; the "Santana's percussion" during the the guitar solo. The Arabian organ (There is an Arabian Organ?...) solo is a recollection of my grandfather Darcy. |
8. Estudo # 1 |
has a sort of a classical structure mixed with electric guitar that was fun to play. |
9. Suite - The Cicada and the Ant |
is a ballet based on the children´s story, but with a different and tragic end: the death of the Cicada and its funeral. Intense use of the synth guitar playing all melodies here. |
10. Curitiba |
is a beautiful city in the state of Paraná in southern Brazil. This song is dedicated to my brother Beto, to Mr.Orlando, Mr.Mario and all my friends who live there. |
11. Martini Seco |
is one of my oldest songs. It was written for Mr.Paul Desmond, who says: "I hope my sax do the same effect of a Dry Martini". I agree. |
12. Xuxu - The Clown |
a song about what is inside the heart of a clown and it's dedicated to a very special one who taught me an important lesson. |
13. Angels Can´t Sleep (But can Fly) |
a three part song that tells the story of an angel falling to Earth and all the hard work he (or she) has with mankind. |
14. Paranoia’s Blues |
for those moments when we have to climb a mountain but our thoughts stay in another place (a honkytonk bar with a beer in one hand and looking to some pretty girls). |
15. Minueto - Part I & II |
is dedicated to my teacher Sergio de Pinna. The first part is an original from the classical composer Roberto de Viséo and the other, some variations of my own. This song was entirely recorded as a guitar solo with no sequencers, only the synth guitar. |
16. The Untold Story of Arthur, The King |
tells the story of King Arthur (the man from Camelot...) and his hate for Lancelot. It is dedicated to a bad guy. |
17. Mr.Davis |
a song dedicated to three musical genius: Mr.Miles Davis, Mr.Jaco Pastorius and Mr.Tom Jobim. |